Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.

인간의 친구로, 가족으로 함께하는 동물들과의 웃고 우는 일상을 애니캠(animal+cam)을 통해 들여다보며 반려문화 전반을 아우르는 프로그램

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. 　　A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)