Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

바이러스에 의해 몰락한 세계, 감염된 팔을 지닌 생존자 ‘준’은 마지막 희망이라 불리는 노란 꽃을 찾아 금지 구역으로 향한다. 그는 노란 꽃을 발견하지만 괴물을 만나 도망치기에 이른다. 그런데 대면한 괴물은 상상과는 다른 존재였다. 3분이 조금 넘는 짧은 애니메이션이지만, 아포칼립스의 상황에서 재난보다 더 무서운 것은 타자를 향한 무조건적인 공포라는 것을 전달하는 작품이다. 준과 괴물의 만남은 결국 동화적 상상의 즐거움을 향해 간다.

Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.

인간의 친구로, 가족으로 함께하는 동물들과의 웃고 우는 일상을 애니캠(animal+cam)을 통해 들여다보며 반려문화 전반을 아우르는 프로그램

어둠 속, 작은 침대에 웅크린 소인 형태의 AI가 있다. 이 세계에서 AI는 스스로 깨어나지 못한다. 오직 인간이 종을 울릴 때만 존재는 활성화된다.

暂无剧情简介

穆来洞（Mullae dong）是视频拍摄地，在1910 - 1945年日本殖民时期这里是纺织工业区，据说其名字来源于纺织工厂区的“纺车”（韩语“Mulle”）。20世纪70 - 80年代，在军政府统治下穆来洞繁荣一时。如今，穆来洞作为首尔仅存的钢铁工业区，勉强维持着生存。自20世纪90年代以来……

A young girl without friends is always alone. One day, the dandelion puffs she was holding were blown to someone's house by the wind. A child who discovers a dandelion shows her friends but is ignored. So, she copes with her loneliness by befriending a black cat she meets behind a house. Plants are interesting in their ambivalence because they can be as beautiful as flowers and ugly as mold simultaneously. Still, the film focuses on plants’ passive ability to sway in the wind. Just as windows are portals through which cats can reach inside and outside worlds, spores are the connection between life and death. Humans who know how to pay attention to items as small as spores give them soil, water, and sunlight. Humans need not face but the ability to offer their bodies to the wind, like plants, the main character. It’s a story that focuses on a life of growth, a whole development within a city. (LEE Bora)

My first name is Sori. It means "sound" or "voice" in Korean. It sounds like the English word "sorry". My voice drowns out my mother's. The words I spat out right after my grandpa's funeral tormented her. The violence in my voice disregards her grief and sorrow. I justify that violence. But I want to hide. I call back the words I hurled at my mother and press them onto my face.